Author’s Note: I thought the best way to capture the Insurrection of Jan. 6, 2021, was to make the day’s most famous headgear a narrator for the event. This is the first (and only) poem that I have written from the viewpoint of a hat. A class taught by Maryland poet Ann Quinn inspired me. [Continue Story]
Author’s Note: I write a lot about relationships, love, and other mysterious events, so perplexing events and issues interest me. Zen is perfect for that, of course, since the koan is, by definition, a paradox that illustrates how inadequate logic is. Its contemplation is seen as a vehicle toward enlightenment. The jumbled state of emotion, the complications of being and the bodily state—its flesh and consciousness—to me, these are related and ultimately unfathomable, but as a poet, I must try. [Continue Story]
Author’s Note: As an East Coast suburban boy, light pollution meant I never saw the Milky Way until a trip out West. Our children were getting older, soon to college and busy lives, and only my wife had ever been to the southwest, so we planned a trip for December 2018. That moment—to try to put into words what it means to look up and be dazzled, even when you intellectually know what you’re going to see—still fills me with wonder. [Continue Story]
Author’s Note: I wrote (this story) during the peak of the Covid epidemic. Everyone was baking bread. At the same time, I read two newspaper articles which intrigued me. One was about a “starter” museum that housed old sourdough starters. Another article suggested that some of these starters contained the DNA of the original bakers. I spent a few days researching the Gold Rush, Theodore Roosevelt, and the history of women’s rights in Wyoming. Then I was off and running…...[Continue Story]
Writer’s Note: In this poem, I imagine my future dying process, hopefully “years from now,” surrounded by quiet, love, nature, and music. The scene is borrowed from a real place, Commonweal Retreat Center in Bolinas, California, where many have found solace and healing. The poem has since been included in my chapbook “A Doctor Only Pretends: Poems about illness, death, and in-between” and reviewed by poet Matthew Lippman in Tikkun Magazine...[Continue Story]
Author’s Note: “Fried Chicken, 1981” is a portrait of my mother when I was a child. I wanted to say her name the way her mother said her name. I wanted to capture the way she spoke and her mannerisms. I wanted to acknowledge her youthfulness in the context of aging. I wanted to point to the everyday experience of expressing love and care by making dinner. And of course, I wanted to write down how she made fried chicken.....[Continue Story]
Author’s Note: I spend a great deal of my writing wondering about and exploring masculinity; here, I wanted to look at the idea that “men don’t cry” and really twist that around to ask questions about the value of emoting. As a queer writer, I’m also always trying to examine what it’s like to feel islanded outside of the world of heteronormativity, and when those two things came together, this story emerged...[Continue Story]
Author’s Note: Pulling Salt from Water was not an easy thing to write. I have never written about sexual abuse. I think this subject braids nicely with my youth and experience of schizophrenia. It’s a story that triumphs over tragedy. It’s a story that highlights my writing life and my need to be transparent. Yes, I have trauma in my past and yes, I have schizophrenia. Those two things no longer define me. I am at peace.
Editor’s Note: “Pulling Salt from Water” was nominated for the Pushcart Prize in nonfiction, as published in the Delmarva Review, Volume 14 (2021). From the opening lines, we are invited into the mind of a courageous writer who is “best understood on the page.” She gives her voice to metaphors that “long to be set free, the paragraph that belongs to me, the one I decide to share as I try to touch my reader.”
Author’s Note: The Elements of Drawing is a famous instructional text by the 19th c. English art critic and philosopher John Ruskin. It’s a book I recently picked up when I considered trying my hand at drawing, again. Ruskin made a political project out of training the eye and hand to represent the truth of the world, and it inspired my attempt to apply his lessons to the troubles of our present age....[Continue Story]
Author’s Note: “Garden” began with the woeful state of my yard which I knew needed tending. The thought occurred to me that while my yard was in a poor state to my mind, it was becoming a paradise to the various residents who inhabited it. I tried to capture a heightened description of an idealized garden that had been left untended. I wanted to contemplate that both value judgments and drama are a matter of perspective. ...[Continue Story]
