Author’s Note: I turned eighty recently, in a world that seems increasingly crazy and disjointed. For me now, making some sense of that world is less a matter of big ideas than of small actions. Like carpenters who nail together a home for the senile, or the homeless man for whom bus routes map the...[Continue Story]
Author’s Note: My experience in the ballet world, and the close friendships and sisterhood cultivated among us dancers, provided inspiration for this story: “Coffee From Arabia” follows a young up-and-coming ballerina as she navigates growing up, identity, and desire both on and off the stage. In writing, it has been enchanting to peek behind the curtain at this life again! [Continue Story]
Author’s Note: My family lived on Capitol Hill in Washington, DC, when I was born, and remained there for two years before beginning a series of moves that would take us to Maryland, California, Michigan, and New York. Between Michigan and New York before our mother left us with our father. My memories before that rupture became hard to hang on to, and impossible to corroborate... [Continue Story]
Author’s Note: “First Light” is based on a true story from my own history and my mother’s history. There are moments in our lives when we have glimpses into our parents’ formative experiences and what they might have struggled through as children. The speaker in the poem spends her own night thinking about her mother “as that little girl,” and there is a sense she can relate to her mother’s childhood loss, her worry. The poem opens with dawn and closes with a new sense of dawn, one that strengthens the connection between mother and daughter and touches on a faith that things can “be made right again.”... [Continue Story]
Author’s Note: “An Experience of Grief” is an effort to put down into words the wordless horror that is grief. The concept and the structure of the poem are inspired by a grounding technique that is popular as a coping mechanism for various mental health issues. This technique aims to ground one in space and time by using the senses to observe and reconnect to the physical world. By interrogating the feeling of grief in this manner and attaching physical sensations to it, it is my hope that the inexpressible has become slightly more expressible... [Continue Story]
Author’s Note: I’ve long loved Walt Whitman’s work for many reasons, and this piece—“Walt Whitman at the Playground”—echoes one of them: his enthusiastic joy at everyday moments, a joy that often strikes me as augmented by an ever-present thought for mortality. I wrote the poem at the playground in question, watching my daughters at play and the people around me, grateful that we were all alive together at this one moment... [Continue Story]
Author’s Note: The unseen forces that surround us and shape our lives are so fascinating—and I mean the literal ones, like magnetism or gravity, not just the metaphysical ones, though I also have doubts about how different those really are. If the spiritual and metaphysical are anywhere, then they’re here, they’re now, they’re ordinary and constant. They’re in humankind and they’re also in the magnetic doorstop... [Continue Story]
Editor’s Note: “Querencia,” from the Delmarva Review’s 14th annual edition, has been nominated for a Pushcart Prize in nonfiction.
Author’s Note: When I first began writing memoir, I wrote a lot ... [Continue Story]
Author's Note: "Sometimes poets have epiphanies—sometimes we simply turn on the radio. I was listening to NPR when I heard the delightful tidbit that inspired this poem. I took words cut from magazines ... [Continue Story]
Author’s Note: “Something, Somehow, Somewhere” tells the story of a young Brooklyn farmer who travels across the country to meet her estranged father and his seemingly perfect family while a hurricane ... [Continue Story]
