Delmarva Review

Anthology

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Published November 2024

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What's Inside

Every story, every poem, every essay in The Best of Delmarva Review contains much more than what appears on the page. Each of the 14 stories introduces another layer beneath the surface. Each of the 63 poems presents not only what is said, but what is not said, and the poet’s voice stirs new meanings with each reading. The 19 essays are relevant to you, and the personal ones will strike your emotional core with their honesty and authenticity. In all, there are interesting new worlds to explore or new ways to explore today’s world. Those are among the promises you will find in the following pages.

As we selected the writing for “The Best of” anthology, we were in awe of the creativity shown by the authors published over our sixteen-year history. Since the first edition in 2008, the editors have read thousands and thousands of submissions from aspiring and established writers. We decided to draw attention to the writing qualities that stood out. We hope that will be useful to other writers and interesting to readers.

Volume 16

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Published November 2023

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What's Inside

WELCOME TO THE Delmarva Review’s 16th edition. The writing of 72 authors was selected from thousands of submissions during the year. This annual issue includes 70 poems, 12 short stories, and 14 essays. In all, the writers come from 23 states, the District of Columbia, and four foreign countries.

This year’s cover photograph is called “Eye of the Beholder.” It is a fitting description for the Red-tailed hawk’s large “eye,” on the cover, that allows the raptor to focus on its prey with spatial clarity from great heights at high speed.

The stories or poems in this issue carry a unique message from each author, in her or his own words. Topics naturally include grief, death, pain, love, living, place, acceptance, and freedom, among others. Aging and the uncertainties in life are frequent subjects. All have a common challenge—facing change—and the uncomfortable feelings associated with change.

We are pleased to include a personal essay from the student winner of the Delmarva Review-Talbot County Youth Writing Scholarship award. In partnership with Talbot County Schools and supported by a grant from the Talbot Arts, the review selected Mia Mazzeo, a junior at Easton High School, in Easton, Maryland.

As an independent, 501(c)3 nonprofit literary publisher, we are greatly appreciative of the funding support we receive from individual tax-deductible contributions and a public grant from Talbot Arts with revenues from the Maryland State Arts Council.

Spy Reprints “Weeping Willow” by V.P. Loggins

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Author, V.P. Loggins Photography by Alison Harbaugh, Sugar Farm Productions

Author’s Note: “When I was an infant of six weeks, my parents took the decision to leave Birmingham, Alabama, where I was born. The family—my parents, grandparents, my brother, and myself—journeyed from Alabama to Indiana south of Chicago. From there we moved again, this time to Illinois. “Weeping Willow” is inspired by my early experiences attending school as a transplant with a family from the Deep South to a place where the regional differences in speech were markedly different.”... [Continue Story]

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Spy Reprints “The Bricks of Baltimore” by Michael Salcman

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Author’s Note: “I believe I started writing ‘The Bricks of Baltimore’ after I read an article in The Baltimore Sun on the 10th of March 2021 about the deconstruction of Baltimore through the removal of bricks from Sparrow’s Point and a variety of other sites in our city. I was especially moved by the fact that the bricks were then taken to Washington and used for purely decorative purposes in expensive condominiums. I was further astounded by the fact that one could ‘source’ the bricks to different neighborhoods through a variety of colors and striations. By the end of October the poem had undergone six major revisions and was accepted for publication by The Delmarva Review.” ...  [Continue Story]

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Spy Reprints “Dippin’ Dots” by A. J. Granger

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Author’s Note: Tradition is like a mighty river; no matter how vast its depths, no matter how calm or turbulent its waters, the river always has a beginning and an end. Provoked by questions over my need for over-priced ice cream, “Dippin’ Dots” is a conscious dive upstream, an attempt to traverse through memory and time to find the beginning of the river, to find truth in the mountain’s snow, and to understand why change feels so much like a waterfall...  [Continue Story]

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Spy Reprints “I Want to Order a Man from the Sweets Catalog” by Fran Abrams

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Author’s Note: “I wrote this poem after taking a class on how to write a cento. Looking for a source of words, I thought of the Sweets Construction Catalogue I had used when I worked in an architect’s office after college. ‘Sweets’ then was a large collection of three-ring binders but is now online. As I dipped into its pages, the poem began to form in my mind, moving readily from concept to completion.”...  [Continue Story]

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Spy Reprints “Authors” by King Grossman

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King Grossman

Author’s Note: “This poem virtually wrote itself when I was hole up writing in Marfa, Texas, a thin place, as in hardly separated from the source. One afternoon outside my back door I espied through the coke-bottle glass, a young girl who sat at a card table on her porch across the street happy as you please writing in that red bird notebook. I simply stood there in solidarity with another non-civilian.”...  [Continue Story]

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Spy Reprints “Now Only in Part” by Marda Messick

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Author’s Note: Since I first looked into a kaleidoscope as a young child, I’ve been fascinated by and deeply curious about perception. How do we perceive the world and apprehend mystery? How do we know what we know about anything? Our limitations and the possibility of enlightenment always are juxtaposed, as they are in the poem. I’ve come to rely on poetry itself as a way of perceiving and knowing the world, other people, and the divine....  [Continue Story]

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Spy Reprints “Lemon Ginger Tea” by Robin Gow

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Robin Gow

Author’s Note: I wrote “Lemon Ginger Tea” after spending a winter afternoon with my brother. We are both at really transitory moments in our lives and this felt especially true that day. Both our conversation and where we sat felt so indicative to me of both being in a liminal space together. In a lot of ways, I see the poem as being about brotherhood and being able to know someone’s life from that perspective. I use the “you” to try to convey that closeness to the reader so hopefully they can feel it too...  [Continue Story]

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