Author’s Note: “The Wizard of Oz was probably one of the first movies I ever watched, and I loved the Wicked Witch. Often, villains are my favorite part of narratives, and she terrified me—her laugh, ... [Continue Story]
Author’s Note: “This poem explores the ways we attempt to justify our privileges to ourselves. While I wrote it thinking primarily of my own white middle class American culture, it asks questions more ... [Continue Story]
Delmarva Review's Executive Editor Wilson Wyatt emcees the brilliant performance of ten contributing writers (Volume 14), sponsored by The Writers Center in Bethesda, MD (many thanks) on November 20, 2021.
Our featured writers include (with approximate start times):
Caroline Bock [7:27]
Holly Karapetkova [14:40]
Irene Hoge Smith [17:06]
Jona Colson [22:29]
Susan Land [27:33]
Judith McCombs [35:00]
Sue Eisenfeld [38:38]
Katherine Williams [49:02]
Ronan Keenan [53:08]
Adam Tamashasky [59:15]
Author’s Note: “The poem began with a prompt—to show the beauty of something ugly. Having lived in the DMV all my life, and recently read a history of the Chesapeake Bay, I thought of the oyster. It is not attractive, but it is vital to the bay and, of course, delicious to eat. The poem imagines life from the oyster’s point of view.” ...[Continue Story]
Author’s note: “After I saw images of the small Hebrew dictionary William Bradford created in his notebook, I was drawn to imagine his later life. And though the parallels may not seem obvious, I ... [Continue Story]
Welcome to the fourteenth edition of Delmarva Review, an annual, independent, nonprofit literary journal. In this, our largest edition, we selected the new writing of seventy authors that stood out from thousands of submissions during the year. Volume 14 includes ninety-eight poems, thirteen short stories, twelve creative nonfiction essays, and seven book reviews. In all, the writers come from twenty-five states, the District of Columbia, and four foreign countries. About forty percent are from the Delmarva and Chesapeake region, though the review welcomes the best new writing in English from all writers, regardless of borders.
The cover photograph, Tangier Island Light, taken at dusk is by contributing photographer Jay P. Fleming. It was taken as part of Fleming’s work for his wonderful new narrative photography book, Island Life, capturing “a pivotal moment in time for Smith and Tangier.” Life on these isolated islands in the Chesapeake Bay—the largest estuary in the United States—is often considered frozen in time, but Fleming has delved deeper, documenting work and life on the islands “as the very forces that sustain them also threaten to take them away.” While not the theme of the book, or of the Delmarva Review, climate change remains highly concerning. There is no preaching here—just the facts, images, and human stories—and you are likely to learn something new from the content (see the book review in this edition). The rest is up to you.
Author’s note: “As a narrative poet, the process of creating this piece was somewhat of a departure for me. Lately, I have been intrigued by absence—what is not visible, not said, not done—even my own mental absence from much of what is going on around me. This appeal to ‘white space’ is especially strong on the page. It allows readers to fill in the blanks, interpret, create their own meaning"... [Continue Story]
Author’s note: “Each day, a young woman runs past my home. What drives her pace, pushes her on? She runs fifteen miles a day alone, on country roads. I tried stepping into her shoes, tried to understand, imagined a past that could not be faced, a hurt that could not be undone. The repeated pounding of soles on pavement became a meditation, a saving grace"... [Continue Story]
Author’s Note: “We were driving back to Delaware from D.C. along Route 301 one night in November during the Leonid meteor shower. The Eastern Shore contains dark-sky patches along there, so I saw the shooting star. M’sing is a mysterious Lenape figure, somewhat deer and somewhat human, thought to have been a local forest guardian. The poem aims to evoke a disquieting unknowability and our human desire for some bright-lit gate (in this instance, the Delaware City Refinery) to protect us from that, even though it doesn’t, really”...[Continue Story]
Author’s note: “Poetry for me is often a way to write about and cope with things that are emotionally fraught, painful, frightening, things that are too hard to approach head-on. This is one of those ... [Continue Story]